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Boudoir
Flow Posing
A System for
30 Hot Poses
in 30 Minutes
by Michael Zelbel
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Boudoir Flow Posing
Photographer: Michael Zelbel
Model: Coxy Dominika
Layout: Renzy Memije
Postproduction: Marko Perak
Producer: Julia Li
© 2015 Zelbel Ltd & Co.KG, Düsseldorf.
This book contains material protected under International Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this book
may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval
system without express written permission from the author.
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Contents
Poses for Every Body Type
Effortless Learning
Starting at the Wall Camera-Right
1. Yeti
2. Pool
3. Ancle
4. Magnet
5. Captain
6. Plate
7. Boat
Change to the Wall Camera-Left
8. Vampire
9. Sun
10. Atlantic
11. Love
12. Volcano
13. Silk
Finish on the Bed or the Floor
14. Kiss
15. Rose
16. Thorn
17. Knee
18. Middle
19. Oasis
20. Vacuum
21. Water
22. Vital
23. Nature
24. Hill
25. Hip
26. Zoom
27. Blimk
28. Flight
29. Tsunami
30. Lagoon
Lighting Setup and Camera Settings
Overview of Poses
Overview with Letters
Author Bio
4
4
7
8
10
12
14
15
18
20
21
21
23
25
27
29
30
32
32
34
35
38
40
41
42
44
45
46
47
48
50
51
52
53
54
56
57
58
59
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Find a name for each pose. This pose is named Yeti,
because the overall shape of the pose reminds me of a
“Y.” I matched all poses and letters using my subjective
intuition. Everyone will probably find other letters in the
poses and should choose appropriate names.
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silk cape. When he gave her a kiss she
had a rose in her hand, which pierced a
poisonous thorn into his knee. He fainted and fantasized about being in the
middle of a desert in an oasis. With a
vacuum pump, he raised so much water from the soil, that even the desert
sand became vital and he was suddenly
surrounded by nature. He climbed a hill
and saw from there a hip surfer when
he zoomed towards the sea. In a blink
he also saw that he had to start a flight
because a tsunami was moving in his
direction and would turn the oasis into
a lagoon.
This pose contains the shape of a “P,” therefore I
gave it the name “Pool.”
My own story goes like this:
On a hot sunny day the Yeti jumps into
the pool. At the bottem he finds an anchor. This seems to be a strong magnet.
A captain is sticking to it because he has
implanted a metal plate in his back. Behind it lay the capsized boat. This ship
had a vampire on board, which had been
burnt by the sun and thus had burned a
hole in the hull. Previously, he had driven across the Atlantic to visit and bite
his first love on a volcano island. For
this purpose, he had put on his finest
This example is named “Anchor” because the
shape of the pose reminds me of an “A.”
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With such a crazy story, you easily get
the poses into your head. But perfection
is reached only when the poses have become secondnature to you. For this purpose, the best you can do is give them a
couple of dry runs. You practise by bringing yourself into these poses in exactly
the right order. Do not worry, you don‘t
have to take pictures of yourself and you Vividly imagining the Yeti jumping into a swimprobably don‘t need an audience. But ming pool and finding an anchor at the bottom is
if you do that a few times, then posing so crazy that it is hard to forget. Illustration: Kai
Castle
during a real shoot becomes easy. You
will be able to quickly show your model
first couple of poses will work best on
what exact pose you want from her.
the wall, which is on the right side as
seen from your camera. In later chapters, you will then use the other wall in
the corner and the floor. Of course you
can always use poses in a mirrored way.
What works toward the right will also
work toward the left. You are also free
to replace the floor with a bed for the
respective poses. You can make your
life easy by simply applying the poses
exactly the way they are shown here,
especially in the beginning.
Overview with letters. See the end of the book for
a bigger, printable version.
Starting at the Wall Camera-Right
In this guide, a corner of the room will
be used to demonstrate all poses. The
1. Yeti
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The model places her hands on the wall. The arms
form an open triangle. Her eyes are closed. Her
expression is sensual. The camera is
photographing along the wall.
Boudoir Flow Posing
Variation: Eyes open.
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Variation: Looking into the lens.
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Variation: Looking down on herself.
11
Variation: She throws her head back. The arms
cover her breasts.
3. Anchor
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Model opens up her right shoulder,
leaning against the wall. Her body has
a 45 ° angle to the camera.
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Variation: The camera comes closer and covers
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only the upper body.
Variation: The left hand rests on her hip.
4. Magnet
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The model poses with her hips toward the lens
and pulls her panties down slightly. Both arms are
rather relaxed. The light is moved to the cameraopposite side. Only her body is part of the photo.
Variation: Model pulling her panties down very far.
Her arms are stretched. The head is in the picture.
5. Captain
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The back of the model is arched, shoulders and
buttocks touching the wall. Her left hand rests on
the décolleté.
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Variation: She pulls down one bra strap.
6. Plate
The arms of the model go over her head, while her
hips come forward.
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Boudoir Flow Posing
Variation: Her thighs are part of the image.
19
Variation: Shot from 45 ° angle against the light.
7. Boat
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The camera moves around
the model and come closer
for a portrait.
Variation: Portrait with breasts inside the frame.
Change to the Wall Camera-Left
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8. Vampire
The model stands in front of the wall. The camera
is on her left side. Both hands are on the wall and
her arms form a „V.“ The frame ends at the bust
line. The scene is backlit.
Variation: Light is moved forward
for frontal lighting.
Variation: Hands are at the height of her
belly button.
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9. Sun
The model raises her right arm over her
head. Her wrist remains relaxed.
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Variation: Her hand is grabbing her hair.
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Variation: The left arm surrounds the breasts.
10. Atlantic
The model opens up her left shoulder. The right
hand goes to the neck and the left hand on the hip.
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Variation: Portrait with both arms down.
Variation: Arms folded.
11. Love
Buttocks and right foot are on the wall, left arm
over her head. Model is looking along the wall..
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Variation: She reaches into her hair and covers her
bosom for more emotion.
Variation: Looking into the lens.
12. Volcano
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The model crosses her arms.
Her left hand touches the neck.
Her upper body is bent slightly
forward toward the camera. The
camera is exactly in front of her.
Variation: Portrait orientation. One breast bared.
13. Silk
The model is working her left shoulder forward.
She looks down on herself over the shoulder.
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Variation: Horizontal close-up of her face.
Variation: Model pushes the shoulder forward to
an extreme angle, looking into the lens.
Finish on the Bed or the
Floor
14. Kiss
The model is kneeling with open legs. The right
knee is placed toward the camera. The right hand
is on her hip.
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Variation: Left hand on hip.
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15. Rose
The model turns at a 45 ° angle to the camera and
she is playing with her panties.
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16. Thorn
The model squats. Her right hand playing with hair.
The left hand grasps around the body.
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Variation: She is looking down on herself.
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Variation: Arms folded.
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17. Knee
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The model sits against the wall. Her left knee
is up. The right hand is on her knee and her
left hand in contact with the neck.
Variation: Both knees are bent.
Variation: The right leg is in the frame. The model
looks at the lens.
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18. Middle
The model sits on the floor a little bit away from the wall. Her back is leaning against this wall, and
her knees are close together but her lower legs are wide open. Taken with a wide angle lens, here
28mm.
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19. Oasis
The model lies down on her front, her weight resting on the elbows. Her belly touches almost the
ground while her butt is elevated. For this purpose she bends her left knee.
Variation: She presses her bosom with her arms. Variation: She looks back over her body.
Her hands come forward, but not too close to the
lens.
20. Vacuum
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The model is on her pelvis and pushes her
upper body upwards. The camera is exactly in front of her.
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Variation: She rests on her elbows. The picture is
closely framed for a portrait.
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21. Water
The model is on elbows and knees. The lower leg cross over. The camera shoots from a diagonal angle.
Variation: Her hands rest on the bed.
Variation: The model looks to the side.
22. Vital
The model raises her bottom. The
lower legs form a „V,“ the front leg
is angled to the body.
Variation: Shot against the light.
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23. Nature
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The model sits with her side to the camera. She is pointing her toes. The left hand grips the slip. Her head
is slightly tilted forward.
Variation: The position of her feet is reversed. The
arm is covering her breasts.
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24. Hill
Model is sitting with legs open, 45 ° to the camera. The right hand is on the ground, her left hand is on
her left knee.
Variation: Both hands on the ground.
Variation: Arms are covering her breasts. Model is
looking down to the floor.
25. Hip
The model lies on her side. Her right hand is on
the hip while the left hand supports the head. She
looks along herself.
Variation: Her right knee goes down to the ground. The model looks at the lens.
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Variation: Camera at a 45 ° angle. Both arms go forward.
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26. Zoom
The model rests her head on her left arm. The camera is exactly at the level of the bed cloth, which is
located in this example on the floor.
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27. Blink
The model rolls on her back. Her right arm is over
her head. The left hand is in front of her face.
Variation: Wider framing. Her upper body is in the picture.
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28. Flight
The model is pointing her toes. The camera is placed above her belly button. The picture is taken in a
slight backlit from the left side of the model.
29. Tsunami
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The model lies supine on her elbows and throws
her head back. The camera is angled, shooting over
her shoulder and away, so that her left arm and her
left leg appear parallel.
Variation: Model is looking toward the lens.
30. Lagoon
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The model supports her feet against the
wall. Her right knee somewhat covers the
left knee.
Variation: Feet are inside the frame.
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Lighting Setup and Camera Settings
The photos in this book were consistently illuminated with two speedlights. One
of the speedlights was inside an octabox while the second was used without a
lightmodifier. Depending on the pose, the lights have been moved around, but in
most cases we followed the structure of the diagram below.
1. Model posing at the wall
2. Corner of the room
3. Phottix Luna Octabox with Mitros+ speedlight, manual mode at 1/32 power, 45° angle towards
the model
4. Mitros+ speedlight without modifier at 1/32 power directed into the corner of the room
5. Canon 5D MK III, 1/200 s, ISO 100, 50mm prime lens, f/2.8
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Overview of Poses
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Overview with Letters
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Author Bio
Michael Zelbel is an amateur photographer operating a photo studio in Düsseldorf, Germany. He accepts bookings for fashion, beauty and nude photography.
For his colleagues of every level of ability, he is constantly posting photography
tricks and findings in his electronic magazine:
www.GoodLightMag.com
Michael’s personal mission with photography is to bring together the cultures of
East and West. Living up to this challenge, he frequently combines models, fashion, photographic styles and other elements from Asia and the western world into
a seamless (he hopes) intercultural blend. This photography guide was created in
conformity with his personal philosophy and features a carefully selected array of
skills and techniques adopted from oriental and occidental practices.
Please find more detailled tips and tricks in the following publications:
Boudoir Flow Posing
Photographer: Michael Zelbel
Model: Coxy Dominika
Layout: Renzy Memije
Postproduction: Marko Perak
Producer: Julia Li
© 2015 Zelbel Ltd & Co.KG, Düsseldorf.
This book contains material protected under International Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this book
may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval
system without express written permission from the author.
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