Bankura Christian College TENDER NOTICE No: NIT/15 16/039

Bankura Christian College
TENDER NOTICE
No: NIT/15-16/039
Date: 04-02-2016
Quotations under sealed cover are invited by the undersigned from bonafide publisher /
distributors / their authorized representatives for the supply of books as per lists.
•
•
•
•
•
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The rate quoted by the bidders should be inclusive of carriage and all taxes, otherwise
quotation will not be considered;
Payment will be made as per Government Rules and Regulations;
Last date of submission of tender quotation at the college office is upto 02.00 PM on February
12, 2016 and tender will be opened in the same day at 03.00 PM in presence of the bidders, if
any;
Quotations may be submitted through e-mail: bccollege@rediffmail.com
The goods supplied should be in exactitude of the specifications mentioned in the tender
notice. Any deviation/departure/difference with the specifications mentioned will not be
accepted and the payment will not be made;
The authority reserves the right to accept or to reject any or all quotations without assigning
any reasons thereto;
Jt Convenors, CPE-BSR
Bankura Christian College
Teacher-in-Charge
Bankura Christian College
English Department
Sl.
Title
No.
1.
The Cambridge Companion to Creative Writing
Author/Editor
Morley
2.
The Cambridge Companion to Feminist Literary Theory
Rooney
3.
The Cambridge Companion to Old English Literarture
Godden
4.
The Cambridge Companion to W.B.Yeats
Howes
5.
The Cambridge History of English Romantic Literature
Chandler
6.
The Cambridge Introduction to Short Story in English
Hunter
7.
The Cambridge Shakespeare Guide
8.
The Concise Cambridge History of English Literature
Sampson
9.
Hawley
13.
Contemporary Indian Writers in English:Amitava
Ghosh
Contemporary Indian Writers in English:Mahesh
Dattani
Contemporary Indian Writers in English: Raja Rao:An
Introduction
Contemporary Indian Writers in English: Rohinton
Mistri :An Introduction
Indian Women in the House of Fiction(ZUBAAN)
14.
Studying English Literature:A Practical Guide
Young
15.
Themes and Conventions of Elizabethan Tragedy
Bradbrook
16.
Touch and Intimacy in First World War Literature
Das
17.
18.
Antony and Cleopatra(The New Cambridge
Shakespeare)
As You Like It(The New Cambridge Shakespeare)
19
The Cambridge History of Literary Criticism
20.
The Cambridge Companion to John Donne
21.
Hamlet,Prince of Denmark(The New Cambridge
Shakespeare)
Macbeth(The New Cambridge Shakespeare)
10.
11.
12.
22.
23.
24.
Measure for Measure(The New Cambridge
Shakespeare)
Midsummer Night’s Dream(The New Cambridge
Chaudhuri
Alterno
Chanda
Alastai Minnis Ian
Johnson
Achsah Guibbory
Publisher
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
25.
Shakespeare)
New Cambridge Shakespeare Set(20 Books)
26.
Othello(The New Cambridge Shakespeare)
27.
The Poems(The New Cambridge Shakespeare)
28.
Romeo and Juliet(The New Cambridge Shakespeare)
29.
The Sonnets(The New Cambridge Shakespeare)
30.
The Sonnets(The New Cambridge Shakespeare)
31.
32.
The Tragedy of King Lear(The New Cambridge
Shakespeare)
Troilus and Cressida(The New Cambridge Shakespeare)
33.
Twelfth Night(The New Cambridge Shakespeare)
35.
Paradise Lost and Cosmological Revolution
36.
The Cambridge Introduction to Milton
37.
Constructing the Canons of Early Modern Drama
38.
The Cambridge Introduction to Chaucer
39.
Shakespeare on the University Stage
40.
Restoration Plays and Players
41.
The Cambridge Companion to Paradise Lost
42.
The Invention of English Crticism
43.
Reading John Keats
44.
Reading William Blake
45.
The Cambridge Introduction to Jane Austen
46.
William Wordswoth in Context
47.
Beckett,Modernism and the Material Imagination
48.
The Cambridge Companion to The Wasteland
49.
The Cambridge Companion to Joseph Conrad
50.
Postmodern Literature and Race
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Dennis Danielson
Cambridge
University Press
Stephen B. Dobranski Cambridge
University Press
Jeremy Lopez
Cambridge
University Press
Alaster Minnis
Cambridge
University Press
Andrew James Hartley Cambridge
University Press
David Robert
Cambridge
University Press
Lous Schwartz
Cambridge
University Press
Michael Gavin
Cambridge
University Press
Susan J.Wolfson
Cambridge
University Press
Saree Makdisi
Cambridge
University Press
Janet Todd
Cambridge
University Press
Andrew Bennett
Cambridge
University Press
Steven Connor
Cambridge
University Press
Gariette Meintire
Cambridge
University Press
J.H.Stape
Cambridge
University Press
Lenn Platt
Cambridge
University Press
51.
The Cambridge History of American Poetry
Alfred Bendixen
52.
A History of Indian Novel in English
Ulka Anjaria
53.
Literary Criticism from Plato to Postmodernism
James Seaton
54.
The Cambridge Introduction to Literature and
Psychoanlysis
The Cambridge Companion to English Short Story
Michael Rabet
55.
56.
57.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
Ann Marie Einhaus
Ross Marfin
Malcom Andrew
Gail Ashton
Kierman Ryan
Andrew Hiscock
Julian Wolfreys
Tim Milnus
Philip Mallett
Michael Thurston
Arvind Mehtra
Julian Walfreys
Robert Knoft
68.
Harold Pinter: Plays 4 Vols.
Harold Pinter: Faber Critical Guide
The Bedford Glossary of Critical & Literary Terms
The Palgrave Literary Dictionary of Chaucer
Teaching Chaucer
Shakespeare’s Comedies
Teaching Shakespeare and Early Modern Dramatists
Dickens to Hardy (1837-1884)
The Palgrave LiteraryDictionary of Tennyson
Palgrave Advances in Thomas Hardy Studies
The Underworld in Twentieth Century Poetry
A Concise History of Indian Literature in English
Critical Keywords in Literary Cultural Theory
Theatre of the Avant-Garde(1890-1950:) ACritical
Anthology
A Little History of Literartue
69.
Theory of Literature
Paul H. Fry
70.
Jonathan Swift: His Life and His Work
Leo Damrosch
71.
Franz Kafka: The Poet of the Shame and Guilt
Saul Friedlander
72.
John Keats: A New Life
Nicholas Roe
73.
Wilfred Owen
Guy Cuthbertson
74.
The Milton Encyclopedia
Thomas N. Corns
75.
76.
77.
78.
79.
80.
81.
82.
83.
84.
85.
The Norton Anthology of American Literature
The Norton Anthology of Theory and Criticism
Antony and Cleopatra
As You Like It
Ben Jonson and Cavalier Poets
Ben Jonson’s Plays and Masques
Beowulf:A Prose Translation
Beowulf:A Verse Translation
Blake’s Poetry and Design
Byron’s Poetry and Prose
The Canterbury Tale : Fifteen Tales and the General
Franklin,Gura
Cain,Finke
Bill Naismith
John Sutherland
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Cambridge
University Press
Faber and Faber
Faber and Faber
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Palgrave Macmillan
Yale University
Press
Yale University
Press
Yale University
Press
Yale University
Press
Yale University
Press
Yale University
Press
Yale University
Press
Yale University
Press
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
86.
87.
88.
89.
90.
Prologue
Coleridge’s Poetry and Prose
David Copperfield
Doctor Faustus
The Duchess of Malfi
Edmund Spencer’s Poetry
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Norton Publisher
Bengali PG
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Origin and Development of Bengali Language (O.D.B.L.) — aåRãâNý@åüXá[ ýEýóáýIýáGãÞ
UG
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2. ýEýYÞáBãâNý S°×â^¤üá — aåX§ÿ] [ýEýRá, Farma KLM Pvt.
3. ýEýYÞáBãâNý SPáU]ã — aå@åüXá[ íaR, aáâbNýó í^áWýá
4. Ê@çüz×@üãNýÞR — Nýá[áSP XåïíAáSáQóáZ, âX¼ < íCá_
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6. QXÞX§ÿ] @üáUó — Nýá[áSP Uaå, aáâbNýó aÛy€çýâNý BïíU_Má í@üú
7. X§ÿ]@üáïíUó âRx…UïíMÞ[ #UyƒÿáR — [ëXá UïímPóáÚ, U§ÿãZ aáâbNýó aÛaP
8. Wýá[NýýEýïíú[ #l…PáX§ÿ] : @üâU < @üáUó, íPïíU^@åüXá[, aáâbNýó a§ÿã
9. Wýá[NýýEýïíú[ #l…PáX§ÿ] aXã¤üá — Ê@üáÿw‚ÿ Uaå, S÷ïíB÷âaWý
10. XZXRâaÛb BãâNý@üá — aåAXZ XåïíAáSáQóáZ, Wýá[Nýã
11. UáKÙý]Tüâ@ü[ @üOá — aåQã[ ýEý¼ôUNýãÞ, #áRmP
12. [áGaWýá[ @üâU < @üáUó — íPURáO UïímPóá, U§ÿãZ aáâbNýó
13. aXB÷ UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — GBÖ ]ábá < âP]ãS [áZ
14. #áâP XQó UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — NýSR @åüXá[ ýEýïíµýáÚ
15. bÙÿâNýbáïía[ SïíýIý UáÛ]á aáâbNýó — NýáSa Uaå, Såy‚ÿ@ü âUSâM
16. [áXáZM — X]Z S÷áXáâM@ü, B÷wƒÿ âU@üá^
17. XbáWýá[Ný — [áGïí^A[ Uaå, M.C. Sarkar & Sons.
18. ýFýmP XZå[ã — #âR]ýEýú Uaå, aÛy€çýNý Uå@ü âKýïíSá
19. #]Û@üá[ ýEýâú@üá — ^óáXáSP ýEý¼ôUNýãÞ, @çüNýá³]ã
20. UáÛ]á ýFýmP #]Û@üá[ — aåQáÛ}üïí^A[ X~ü]
21. îUz×U SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM
22. îUz×U SPáU]ã Sâ[ýEýZ — ýEýmPR AÜá, aáâbNýó a§ÿã
23. ^áºýô SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM
24. [áXáZM (]¥ýá@üá~ü) — aåAXZ XåïíAáSáQóáZ, #áRmP
25. UáÛ]á aáâbïíNýó[ axSæMÞ Sâ[ýEýZ — âP]ãS âX¼, âP^áâ[
26. UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — íPïíU^ #áýEýáYÞ, bÙÿKÙýRábÙÿïíýIýKý Uå@ü
27. í]á[ýEýúáMã < aNýãXZRá — íPð]Ný @üáGã, aáâbNýó aÛaP
28. Wýá_áNýºýš — UáÛ]á Wýá_á[ bÙÿâNýbáa — âXâb[ íýEýðQå[ã @üáâX]óá, XKýáRÞ Uå@ü
29. UáÛ]á aáâbïíNýó[ axSæMÞ bÙÿâNýbáa — #âaNý@åüXá[ UïímPóáÚ
30. Wýá_áNýºýš — [áïíXr‡[ ^, Såy‚ÿ@ü âUSâM
31. Wýá_áNýºýš — NýSR@åüXá[ ýEýïíµýáSáQóáZ
32. Uã[á§ÿRá @üáUóýEýýEýÞá — KÙýÐ]@åüXá[ XGåXPá[, íaáRá[ Ný[ã
33. Uã[á§ÿRá @üáUó — îUPóRáO XåïíAáSáQóáZ
34. Uã[á§ÿRá @üáUó — ýEýmPR AÜá
35. UáÛ]á @üáïíUó[ [ìS < [ãâNý — ¤åüâP[áX Páa — íP'G
36. #l…PáX§ÿ] — Ný[ëM@åüXá[ XåïíAáSáQóáZ axSáâPNý, íP'G
37. [Uãú KÙýSRóáïía[ âRXÞáM â^q† — íBáSã@üáRáO íýEýðQå[ã, íP'G
38. [Uãú íýFýáýIýBïíq†[ â^q†[ìS — NýïíSáUõNý íCá_, íP'G
39. @üOáâ^q†ã [UãúRáO : Nýá[ Bq† — íGóáâNýXÞZ íCá_, íP'G
40. [Uãú KÙýSRóáa : bÙÿâNýbáïía[ íS÷â¤üïíNý — WæýïíPU íýEýðQå[ã, íP'G
41. #áQåâR@ü UáÛ]á @üâUNýá[ âRâUKòý SáJý — ^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z
42. @üâUNýá[ #á]áSR —^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z
43. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — WýUáRãïíBáSá] aáRóá] — XKýáRÞ Uå@ü
44. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — Báâ]UKÙýâ½R X~ü] — XKýáRÞ Uå@ü
45. BMïíPUNýá — Nýá[á^¥ý[ UïímPóá, âX¼ < íCá_
46. Nýá[á^¥ýïí[[ BMïíPUNýá — ýEýmPR WýµýáýEýáYÞ
47. BçbPáa — [NýR@åüXá[ RmPã — U§ÿãZ aáâbNýó
48. ^[ÖýEýïíú[ BçbPáb — âUr‡Ul„åý WýµýáýEýáYÞ
49. #áQåâR@ü UáÛ]á @üâUNýá a°×ZR — UQÞXáR âUr‡âUPóá]Z
50. [UãúRáïíO[ a°×âZNýá — NýSR@åüXá[ ýEýïíµýáSáQóáZ
51. y…áNý@ü UáÛ]á â^¤ü@ü — NýSR@åüXá[ ýEýïíµýáSáQóáZ
52. íýEýáïíA[ Uáâ] — [UãúRáO Jýá@åü[
53. Rã]PSÞM — PãRUl„åý âX¼
54. S÷Tåüq‰ — âBâ[^ýEýú íCá_
55. ^á[ïíPáÖaU — [UãúRáO Jýá@åü[
56. íPUãBGÞR — âUGR WýµýáýEýáYÞ
57. Bq†|üfFý — [UãúRáO Jýá@åü[
58. *@üáïí][ Bq† — UQÞXáR âUr‡âUPóá]Z S÷@üáâ^Ný
59. UáÛ]á S÷Ul„ý — (UáÛ]á #RáïíaÞ[ SáJýó UbÙÿ — UQÞXáR âUr‡âUPóá]Z)
60. @üáUóâG¬áaá — #Nåý]ýEýú |üÂ
61. aÛy€çýNý aáâbïíNýó[ bÙÿâNýbáa —
62. bÙÿÛ[áGã aáâbïíNýó[ bÙÿâNýbáa
63. aáGábáR — âk‡ïíGú]á] [áZ
64. bÙÿâmP[á — Uâ¥ýXýEýú ýEýïíµýáSáQóáZ
1. ýEýYÞáBãâNý Sâ[¼ôXá — âRXÞ]Páa, íP'G SáUâ]^áaÞ
2. ýEýYÞáBãâNý S°×â^¤üá — aåX§ÿ] [ýEýRá, Farma KLM Pvt.
3. ýEýYÞáBãâNý SPáU]ã — aå@åüXá[ íaR, aáâbNýó í^áWýá
4. Ê@çüz×@üãNýÞR — Nýá[áSP XåïíAáSáQóáZ, âX¼ < íCá_
5. Ê@çüz×@üãNýÞR (Ug.èý ýEý~üãPáa âU[âýEýNý) — âXâb[ íýEýðQå[ã @üáâX]óá, â^]áâ]âS
6. QXÞX§ÿ] @üáUó — Nýá[áSP Uaå, aáâbNýó aÛy€çýâNý BïíU_Má í@üú
7. X§ÿ]@üáïíUó âRx…UïíMÞ[ #UyƒÿáR — [ëXá UïímPóáÚ, U§ÿãZ aáâbNýó aÛaP
8. Wýá[NýýEýïíú[ #l…PáX§ÿ] : @üâU < @üáUó, íPïíU^@åüXá[, aáâbNýó a§ÿã
9. Wýá[NýýEýïíú[ #l…PáX§ÿ] aXã¤üá — Ê@üáÿw‚ÿ Uaå, S÷ïíB÷âaWý
10. XZXRâaÛb BãâNý@üá — aåAXZ XåïíAáSáQóáZ, Wýá[Nýã
11. UáKÙý]Tüâ@ü[ @üOá — aåQã[ ýEý¼ôUNýãÞ, #áRmP
12. [áGaWýá[ @üâU < @üáUó — íPURáO UïímPóá, U§ÿãZ aáâbNýó
13. aXB÷ UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — GBÖ ]ábá < âP]ãS [áZ
14. #áâP XQó UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — NýSR @åüXá[ ýEýïíµýáÚ
15. bÙÿâNýbáïía[ SïíýIý UáÛ]á aáâbNýó — NýáSa Uaå, Såy‚ÿ@ü âUSâM
16. [áXáZM — X]Z S÷áXáâM@ü, B÷wƒÿ âU@üá^
17. XbáWýá[Ný — [áGïí^A[ Uaå, M.C. Sarkar & Sons.
18. ýFýmP XZå[ã — #âR]ýEýú Uaå, aÛy€çýNý Uå@ü âKýïíSá
19. #]Û@üá[ ýEýâú@üá — ^óáXáSP ýEý¼ôUNýãÞ, @çüNýá³]ã
20. UáÛ]á ýFýmP #]Û@üá[ — aåQáÛ}üïí^A[ X~ü]
21. îUz×U SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM
22. îUz×U SPáU]ã Sâ[ýEýZ — ýEýmPR AÜá, aáâbNýó a§ÿã
23. ^áºýô SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM
24. [áXáZM (]¥ýá@üá~ü) — aåAXZ XåïíAáSáQóáZ, #áRmP
25. UáÛ]á aáâbïíNýó[ axSæMÞ Sâ[ýEýZ — âP]ãS âX¼, âP^áâ[
26. UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — íPïíU^ #áýEýáYÞ, bÙÿKÙýRábÙÿïíýIýKý Uå@ü
27. í]á[ýEýúáMã < aNýãXZRá — íPð]Ný @üáGã, aáâbNýó aÛaP
28. Wýá_áNýºýš — UáÛ]á Wýá_á[ bÙÿâNýbáa — âXâb[ íýEýðQå[ã @üáâX]óá, XKýáRÞ Uå@ü
29. UáÛ]á aáâbïíNýó[ axSæMÞ bÙÿâNýbáa — #âaNý@åüXá[ UïímPóáÚ
30. Wýá_áNýºýš — [áïíXr‡[ ^, Såy‚ÿ@ü âUSâM
31. Wýá_áNýºýš — NýSR@åüXá[ ýEýïíµýáSáQóáZ
32. Uã[á§ÿRá @üáUóýEýýEýÞá — KÙýÐ]@åüXá[ XGåXPá[, íaáRá[ Ný[ã
33. Uã[á§ÿRá @üáUó — îUPóRáO XåïíAáSáQóáZ
34. Uã[á§ÿRá @üáUó — ýEýmPR AÜá
35. UáÛ]á @üáïíUó[ [ìS < [ãâNý — ¤åüâP[áX Páa — íP'G
36. #l…PáX§ÿ] — Ný[ëM@åüXá[ XåïíAáSáQóáZ axSáâPNý, íP'G
37. [Uãú KÙýSRóáïía[ âRXÞáM â^q† — íBáSã@üáRáO íýEýðQå[ã, íP'G
38. [Uãú íýFýáýIýBïíq†[ â^q†[ìS — NýïíSáUõNý íCá_, íP'G
39. @üOáâ^q†ã [UãúRáO : Nýá[ Bq† — íGóáâNýXÞZ íCá_, íP'G
40. [Uãú KÙýSRóáa : bÙÿâNýbáïía[ íS÷â¤üïíNý — WæýïíPU íýEýðQå[ã, íP'G
41. #áQåâR@ü UáÛ]á @üâUNýá[ âRâUKòý SáJý — ^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z
42. @üâUNýá[ #á]áSR —^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z
43. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — WýUáRãïíBáSá] aáRóá] — XKýáRÞ Uå@ü
44. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — Báâ]UKÙýâ½R X~ü] — XKýáRÞ Uå@ü
45. BMïíPUNýá — Nýá[á^¥ý[ UïímPóá, âX¼ < íCá_
46. Nýá[á^¥ýïí[[ BMïíPUNýá — ýEýmPR WýµýáýEýáYÞ
47. BçbPáa — [NýR@åüXá[ RmPã — U§ÿãZ aáâbNýó
48. ^[ÖýEýïíú[ BçbPáb — âUr‡Ul„åý WýµýáýEýáYÞ
49. #áQåâR@ü UáÛ]á @üâUNýá a°×ZR — UQÞXáR âUr‡âUPóá]Z
50. [UãúRáïíO[ a°×âZNýá — NýSR@åüXá[ ýEýïíµýáSáQóáZ
51. y…áNý@ü UáÛ]á â^¤ü@ü — NýSR@åüXá[ ýEýïíµýáSáQóáZ
52. íýEýáïíA[ Uáâ] — [UãúRáO Jýá@åü[
53. Rã]PSÞM — PãRUl„åý âX¼
54. S÷Tåüq‰ — âBâ[^ýEýú íCá_
55. ^á[ïíPáÖaU — [UãúRáO Jýá@åü[
56. íPUãBGÞR — âUGR WýµýáýEýáYÞ
57. Bq†|üfFý — [UãúRáO Jýá@åü[
58. *@üáïí][ Bq† — UQÞXáR âUr‡âUPóá]Z S÷@üáâ^Ný
59. UáÛ]á S÷Ul„ý — (UáÛ]á #RáïíaÞ[ SáJýó UbÙÿ — UQÞXáR âUr‡âUPóá]Z)
60. @üáUóâG¬áaá — #Nåý]ýEýú |üÂ
61. aÛy€çýNý aáâbïíNýó[ bÙÿâNýbáa —
62. bÙÿÛ[áGã aáâbïíNýó[ bÙÿâNýbáa
63. aáGábáR — âk‡ïíGú]á] [áZ
64. bÙÿâmP[á — Uâ¥ýXýEýú ýEýïíµýáSáQóáZ